By MANOJ KUMAR In his world the demarcation between event and fiction, reality and fantasy, dreams and disposition disappear. Everyday fonts and incidents olfactory modality sorcerous and magical spell look very real. His world is farther form reality and save nobody has probably picture the reality as reliably as he has. delightful to the very world of GarcÃa Márquez. The celebrated Latin American writer and succeeder of the Nobel Prize who was shot to fame with his magnum spell One Hundred age of Solitude. Born on demo 6, 1928, in Aracata, Colombia, a sm all(prenominal) townsfolk with exotic locations. He was the first of sixteen children born to Gabriel Eligio GarcÃa, a telegraph operator, and his wife, Luisa Santiaga Márquez Iguarán. Soon after his birth, the family left Aracata, difference him at the business organization of his maternal grandparents. So it was in his hereditary town where he spent most of his childhood. The rural climb of his villag e and twine of his maternal grandparents germinated the first seeds of creativity in his mind. His village provided the position of the most of his novels and his grandparents introduced to him the raw material of his characters and themes that later shaped his novels. His grandmother, Tranquilina Iguarán Cotes, told him the stories of ghosts and supernatural elements as if they were real.
It was the same technique and style that he employed in his novels thirty long time later. And his grandfather, Colonel Nicolás Márquez Iguarán, told the boy equally fantastic stories found on his participation in the Colo mbian civil. Most of the experiences and cha! racter narrated by his grandfather find their place in his whole whole kit and boodle specially in his novel No One Writes to the Colonel. by and by GarcÃa Márquez would write: I tang that all my writing has been about the experiences of... If you want to get a total essay, order it on our website:
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